Soular

Soular built their name on the road: an Albuquerque four-piece playing what they call “epoch rock”, with a Moog, a Theremin and arrangements that lean classical. Two records came out on Astonish, Time and Space and Love Crash Heal.

Bob Dylan once said, “A lot of people can’t stand touring, but to me, it’s like breathing. I do it because I’m driven to do it.” Soular — Marsh, Jared, Brian and Ian — feel the very same. To them, playing live shows is what music is all about: the energy, the spontaneity, the interaction with the audience, giving the listener an experience. As Marsh puts it, “It’s their soundtrack for the night.”

Soular are four musicians who love art, storytelling, music, their fans and performing live. They are based out of Albuquerque, New Mexico, but you would never know it because they tour so much. Soular is the epitome of the hard-working band, determined to promote themselves and personally let their fans know how much they are appreciated.

Soular began in 2002, when Jared Ashcraft (bass) and Marsh (keys and vocals) began their musical collaboration. Not long after, they added drummer Ian Byrd and released their first album, Time and Space, which appeared on the CMJ 200 chart for more than two months in 2005. Around this time guitarist Brian Lee joined the band, and Soular was complete. The four individuals’ styles instantly meshed; Marsh says he knew they would be able to create music together after playing with them only once.

Their sound, which has been described as “epoch rock”, drinks from the waters of the Beatles, Radiohead, U2, Queen and Led Zeppelin, but maintains complete originality. Those influences taught them to love music and instruments, a passion that is obvious when you hear them play. In constructing Love Crash Heal you will hear a Moog synth, a Theremin and even a wall of amps, among other devices. Marsh, Jared, Ian and Brian share a taste for old, timeless instruments. This blend of old and new defines what Soular’s sound really is: modern melodies with interesting beats, but huge arrangements that draw from a classical vein.

With Love Crash Heal, Soular wanted to build off their EP Waiting for Tomorrow, which was written in roughly two weeks and came out very naturally. The band wanted to keep the EP’s organic atmosphere and the improvised studio moments but polish the rough spots, and so they emerged with Love Crash Heal, an album the Albuquerque Journal calls “a lyrically emotional, romantic record that bounces between darker and lighter relationship issues and threads the idea that it’s human nature to soar, fall, and recover in order to grow.”

The themes of relationships, being human and sociology are observations the band made on the road: experiences they had and the way they view the world. Considering those elements, Love Crash Heal could have been pretty dark, but because of the lyrics, beats, beauty and the ease with which the album is sung, it comes off almost hopeful. As one UK reviewer noted, “Soular uses music as the spiritual gift it was intended to be.”

Band biography supplied by Soular.